Yeval

In his debut novel 'YEVAL', C. W. Schultz explores the differences between the portrayal and reality of violence. Randy Mulray is on the threshold of madness, envisioning incommunicable murders in a room (called the 'Dark Room') he is mentally forced into by a monster named Yeval. A horror story like never before, 'YEVAL' flirts with the notion that violence in entertainment is too shallow and appealing for audiences to really grip the iniquity and futility.